Karva Chauth Festival by Samaj
Punjab Samaj Jamshedpur represents the community of people from Punjab settled in Jamshedpur. The Samaj organizes a number of cultural as well as social activities from time to time. Karva Chauth festival is one of those which Samaj celebrates every year for the women in our community. In the year 2011 Vice-President of Samaj Mr. Vinod Arora took lead to celebrate the function in a big way and every year increased the number ladies participants. We started with 15-20 participants, and the number has now grown to around 100. During the function they not only perform the Pooja but they enjoy the function by participating in the different cultural activities i.e. dance, singing, games and quiz etc.
Karva Chauth
Karva Chauth (Hindi: करवा चौथ) is a one-day festival celebrated by Hindu women in North India in which married women fast from sunrise to moonrise for the safety and longevity of their husbands. The fast is traditionally observed in the states of Madhya Pradesh, Rajasthan, parts of Uttar Pradesh, Himachal Pradesh, Haryana, and Punjab. The festival falls on the fourth day after the full moon, in the Hindu lunisolar calendar month of Kartik. Sometimes, unmarried women observe the fast for their fiancés or desired husbands.
A similar festival known as Chhath is observed in Chhattisgarh, Madhya Pradesh, Jharkhand and western Bihar. In Sindh, Teej is celebrated in the same style
Etymology and origins
Karva is another word for 'pot' (a small earthen pot of water) and chauth means 'fourth' In Hindi (a reference to the fact that the festival falls on the fourth day of the dark-fortnight, or krishna paksh, of the month ofKartik).
The festival originated and came to be celebrated only in the northwestern part of the Indian subcontinent. The hypothesis is that military campaigns were often conducted by Hindus who were defending India against Mughal invaders, they would often leave their wives and children to go off to war. Their wives would often pray and observe a day of socialising, with other women, by preparing special meals, and dressing up in their finest regalia, and having what would today be deemed as a romantic evening with their husband before he went off to war.
Women whose husbands had already gone off to war, observed the fast to pray for the safety of their husbands at this time as they ventured away from home to defend India.The festival coincides with the wheat-sowing time (i.e., the beginning of the Rabi cropcycle). Big earthen pots in which wheat is stored are sometimes called Karvas, so the fast may have begun as a prayer for a good harvest in this predominantly wheat-eating region.
There is another story about the origin of this festival. Earlier, girls sometimes barely teenagers used to get married, go and live with their in-laws in very remote villages. Everyone would be a stranger there for the new bride. In case she had any problems with her husband or in-laws, she
would have no one to talk to or seek support from. Her own parents and relatives would be quite far and unreachable. Telephones, buses and trains were not heard of in those days. People had to walk almost a whole day to go from one place to other. Once the girl left her parent's home for in-laws, she might not be back before long. Thus the custom started that, at the time of marriage, when bride would reach her in-laws, she would befriend another woman there who would be her friend (kangan-saheli) or sister (dharam-behn) for life. It would be similar to god-friends or godsisters.
Their friendship would be sanctified through a small Hindu ceremony right during the marriage. The bride's friend would usually be of the same age (or slightly older), married into the same village (so that she would not go away) and not directly related to her in-laws (so there was no conflict of interest later).
Emotionally and psychologically, it would be very healthy and comforting for the bride to have her own 'relative' near her.Once the bride and this woman had become god-friends or god-sisters, they would recognize their relation as such. They would treat each other like real sisters. During any issues later in life, involving even the husband or in-laws, these women would be able to confidently talk or seek help from each other. Moreover, the bride's parents would treat her friend just like their own daughter. Thus Karva Chauth started as a festival to celebrate this special bond of friendship between the brides and their god-friends. A few days before Karva Chauth, married women would buy new karvas (spherical clay pots) -- 7"-9" in diameter and 2-3 litres capacity—and paint them on the outside with beautiful designs. Inside they would put bangles and ribbons, home-made candy and sweets, make-up items, and small clothes. The women would then visit each other on the day of Karva Chauth and exchange these karvas.
Rituals
Women begin preparing for Karva Chauth a few days in advance, by buying cosmetics (shringar), traditional adornments or jewelry, and puja items, such as the Karva lamps, matthi, henna and the decorated pujathali (plate). Local bazaars take on a festive look as shopkeepers put their Karva Chauth related products on display. On the day of the fast, women from Punjab awake to eat and drink just before sunrise. In Uttar Pradesh, celebrants eat soot feni with milk in sugar on the eve of the festival. It is said that this helps them go without water the next day. In Punjab, sargi (ਸਰਗੀ) is an important part of this pre-dawn meal and always includes fenia. It is traditional for the sargi to be sent or given to the woman by her mother-in-law. If the mother-inlaw lives with the woman, the pre-dawn meal is prepared by the mother-in-law.
The fast begins with dawn. Fasting women do not eat during the day. In traditional observances of the fast, the fasting woman does no housework.[13] Women apply henna and other cosmetics to themselves and each other. The day passes in meeting friends and relatives. In some regions, it is customary to give and exchange painted clay pots filled with put bangles, ribbons, home-made candy, cosmetics and small cloth items (e.g., handkerchiefs). Since Karva Chauth follows soon
after the Kharif crop harvest in the rural areas, it is a good time for community festivities and gift exchanges. Parents often send gifts to their married daughters and their children.
In the evening, a community women-only ceremony is held. Participants dress in fine clothing and wear jewellery and henna, and (in some regions) dress in the complete finery of their wedding dresses. The dresses (saris or shalwars) are frequently red, gold or orange, which are considered auspicious colors.[15] In Uttar Pradesh, women wear saris or lehangas. The fasters sit in a circle with their puja thalis. Depending on region and community, a version of the story of Karva Chauth is narrated, with regular pauses. The storyteller is usually an older woman or a priest, if one is present. In the pauses, the Karva Chauth puja song is sung collectively the singers perform the feris (passing their thalis around in the circle).
The first six describe some of the activities that are taboo during the fast and the seventh describes the lifting of those restrictions with the conclusion of the fast. The forbidden activities include weaving cloth (kumbh chrakhra feri naa), pleading with or attempting to please anyone (ruthda maniyen naa), and awakening anyone who is asleep (suthra jagayeen naa). For the first six feris they sing “ ...Veero kudiye Karvara, Sarv suhagan Karvara, Aye katti naya teri naa, Kumbh chrakhra feri naa, Aar pair payeen naa, Ruthda maniyen naa, Suthra jagayeen naa, Ve veero kuriye Karvara, Ve sarv suhagan Karvara... ”
For the seventh feri, they sing “ ...Veero kudiye Karvara, Sarv suhagan Karvara, Aye katti naya teri nee, Kumbh chrakhra feri bhee, Aar pair payeen bhee, Ruthda maniyen bhee, Suthra jagayeen bhee, Ve veero kuriye Karvara, Ve sarv suhagan Karvara... ”
In Uttar Pradesh and Rajasthan, participants exchange Karvas seven times between themselves. In Rajasthan, before offering water seven times the fasting woman is asked "Dhapi ki Ni Dhapi?" (are you satiated?), to which she responds, "Jal se Dhapi, Suhaag se na Dhapi" (I am satiated by water, but not from [love of] my husband). An alternative ritual conducted by Uttar Pradeshis is prayer of "gaur mata" the earth. Specifically, celebrants will take a bit of soil, sprinkle water, and then place kumkum on it, treating it as an idol/manifestation of the fertile Mother Earth.[citation needed] In Rajasthan, stories are told by older women in the family, including narratives of Karva Chauth, Shiv, Parvati and Ganesh. In earlier times, an idol of Gaur Mata was made using earth and cow dung, which has now been replaced with an idol of Parvati. Each fasting woman lights an earthen lamp in her thali while listening to the Karva story. Sindoor, incense sticks and rice are also kept in the thali.
In Uttar Pradesh, a priest or an elderly woman of the family narrates the story of beejabeti or Veervati. Celebrants make Gauri, Ganesh and Shankar idols with mud and decorate them with colourful and bright clothes and jewellery. While exchanging Karvas seven times, they sing
“ ...Sadaa suhagan karve lo, Pati ki pyari karve lo, Saat bhaiyon ke behen karve lo, Vart karni karve lo, Saas ki pyaari karve lo... ”
Thereafter, the fasters offer baayna (a melange of goodies like halwa, puri, namkeen mathri, meethi mathri, etc.) to the idols (mansana) and hand over to their mother-in-law or sister-in-law.
The fera ceremony concluded, the women await the rising of the moon. Once the moon is visible, depending on the region and community, it is customary for a fasting woman, with her husband nearby, to view its reflection in a vessel filled with water, through asieve, or through the cloth of a dupatta. Water is offered (arka) to the moon (som or chandra, the lunar deity) to secure its blessings. She then turns to her husband and views his face indirectly in the same manner. In some regions, the woman says a brief prayer asking for her husband's life. It is believed that at this stage, spiritually strengthened by her fast, the woman can successfully confront and defeat death (personified by Yama). In Rajasthan the women say "Like the gold necklace and the pearl bracelet, just like the moon may my suhaag always shine brightly."
The husband now takes the water from the thali and gives his wife her first sip and feeds her with the first morsel of the day (usually something sweet). The fast is now broken, and the woman has a complete meal.
Popular cultural aspects and critiques
In modern North India and Northwestern India society, Karva Chauth is considered to be a romantic festival, symbolizing the love between a husband and wife. It has been celebrated in Bollywood movies such as Dilwale Dulhania Le Jayenge, where an unmarried woman signals her love for a man by keeping the fast for him and he reciprocates by secretly fasting as a gesture of empathy, as well as demonstrating his concern for her during the day and breaking her fast by feeding her at moonrise, and Baghban, in which a man persuades his elderly fasting wife to break her fast over the telephone because they have been separated by their uncaring children. News coverage of celebrities sometimes highlights the keeping of the fast by an unmarried public figure because it indicates a strong and likely permanent romantic attachment. Similar to Valentine's Day, the lack of a romantic partner can acutely be felt by unattached women.[23] The festival is used extensively in advertising campaigns in the region, for instance in a ChevroletTV spot in which a man demonstrates his caring for his wife by buying a car with a sunroof so he can drive her around on Karva Chauth night until she spots the moon through it.
Since Karva Chauth is celebrated primarily by women (men are entirely excluded from the festival's observances until moonrise, though they are expected to demonstrate attention and concern for their fasting wives) and because beauty rituals and dressing-up are a significant part of the day, the festival is seen as an event that bonds women together.[25] In the present day, groups of unmarried women sometimes keep the fast out of a sense of friendship, though this
practice is far from universal.[26] This is especially true in the urban areas of North India and Northwestern India is interpreted as a prayer for a loving husband in the future.[26] Another trend in the northern urban areas is the spreading of the festival's observance to women originating in communities and regions (such asBengal and Maharashtra) that have not traditionally celebrated Karva Chauth or even been aware of the festival's existence. The same is true for Gujarat.
The festival has been criticized as being inherently sexist by some because there is no reciprocal fasting by males and called uplifting for women by others. There have been calls to modify or eliminate the festival by commentators who hold it to be "anti-women" and to "perpetuate the notion of women's dependence on men." Karva chauth has been cited as a symbol of cultural repression of women by some Indian feminists, such as Madhu Kishwar who has put it in the same class as "Khomeinivad" (i.e., pushing women into position of subservience to their husbands, similar to the family structure allegedly favored by Ayatollah Khomeini). Other feminists, however, have called the festival empowering for women because Karva Chauth enables them to quit housework completely for the day and expect gifts from their husbands. Some writers have asserted that such "rituals work insidiously" to create "an instrument of social control" that oppresses women and that the even greater popularity of Karva Chauth among urban, educated participants raises the question of "which is the greater barrier to women's liberation: religion or the market."